备注:已完结
类型:理论
导演:布鲁诺·杜蒙
语言:法语
年代:未知
简介:奇丽壮阔的加利福尼亚的沙漠,荒凉的“29片棕榈叶”小镇。冷漠的自由摄影师戴维(大卫·沃森 David Wissak饰),神经质的女友加茜娅(叶卡捷琳娜·高露别娃 Yekaterina Golubeva饰)。一路上,他们无止无休的为鸡毛蒜皮的琐事争吵,唯有疯狂的如兽性般的做爱才能暂时愈合这段几近崩溃的关系。争吵、做爱、愈合,再争吵、做爱、愈合,病态的四天四夜。直到一场突如其来的暴力事件,把这一切都终结在噬人的沙漠中…… 本片以其强烈的哲学反思意味,在2003年的威尼斯电影节上引起很大的反响,并荣获该年威尼斯电影节最佳影片金狮奖的提名。
备注:已完结
类型:理论
主演:Cathryn Harrison Therese Giehse 亚历山
导演:路易·马勒
语言:英语
年代:未知
简介:在时代并不明朗的未来,少女莉莉驾车行驶在野外,当时似乎正在进行着一场两性间的残酷战争。为了躲避男人的包围攻击,莉莉弃车而逃,向更深的野外走去。她穿过荒凉的原野,来到一间诡异的巨宅之中。屋主是个能和动物交谈的老太婆,而莉莉也居然能够听懂动物的话,屋子里还有一只神秘的独角兽。莉莉在屋外遇到一对乱伦的兄妹,后来又和一群赤裸的小孩子共同播种和游戏。战争越来越近了,大家一起狂欢式地追逐。大屋里,一只仿佛是从画里飞出的大鹰带着恐惧和神秘骚扰着几个人,最后被那对兄妹一剑砍死。老太婆终于死去了,莉莉把自己的乳房献给了独角兽。 这是一部寓意不明的神秘主义色彩的影片,仿佛是在描述另一个世界上发生的故事。这样的电影创作手段来自超现实主义的“自动书写”,就如同当年布努埃尔和达利创作《一条叫安达鲁的狗》一样。马勒虽然自己把这部影片的创作过程视为愉快的回忆,但他也很难把它称为自己的“佳作”。同样,各路影评家也对这部难以归类,难以判断高下的影片讳莫如深,很少进行深入探讨,也不愿轻易予以否定。
备注:已完结
类型:理论
主演:未知
导演:未知
语言:法语
年代:未知
简介:This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez